By Jayant Narlikar
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CHAPTER 1 “The Board” is the heart of any broadcast facility. Basically, it’s simply an electronic mixing board that controls the volume and destination of each of your sound making units. Boards consist of many channels, anywhere from three stereo channels to over twenty stereo channels. One channel of the board is allocated for each microphone, CD player, or other electronic sound-producing element. Each channel has its own individual volume setting, which must be properly adjusted to avoid “over-modulating” the signal (playing it too loud causing a distorted and unpleasant sound).
If you’re talking over a song’s musical intro, cut the music shortly after you’ve finished speaking. Good demos keep rolling continuously, breaking each section on a beat so it seems like one continuous program. It’s also good to include a commercial to show that you’ve got some production expertise. Copy and re-record some commercials that the station is currently running, or write your own to show your imagination. Back in the old days, a big pet peeve of program directors (PD) was waiting for the “leader tape” on cassette tapes to pass, forcing them to find the beginning of your demo.
When asked what major market radio DJs earn these days, Taylor estimates that “Due to cutbacks and the economies of voice-tracking, pay scales have inched down over the years. ” Taylor advises new radio DJs to understand that traditional radio stations are but one place to look for work. Internet and satellite radio will provide many new “radio” opportunities in the future. Michael Lowe Michael Lowe is the Program Director of WLRQ in Melbourne, Florida. Lowe got his first job while doing college radio at UCF in Orlando.