Art Models 6: The Female Figure in Shadow and Light by Maureen Johnson, Douglas Johnson

By Maureen Johnson, Douglas Johnson

Even if making an attempt a brand new method, getting into a few perform time, or engaged on a comprehensive piece, this determine examine permits artists to create their collection of version, pose, and examine every time and anyplace they’d like. the newest addition to the sequence can assist artists turn into educated in incorporating chiaroscuro or gentle and darkish lighting—a process utilized by the good masters to provide drama and intensity of their paintings—to outline the human shape. The e-book contains a new format that includes basic perspectives in keeping with pose in addition to a bit of close-up faces, whereas extra expressions and physique information reminiscent of the face, palms, and toes are proven in even higher element at the DVD-ROM. With the ebook, artists can research ninety five poses in powerful unidirectional lights and detect the feminine shape via greater than 2 hundred published pictures. kinds of physique types—ranging from skinny to plus-size—and ethnicities are integrated. Poses were rigorously selected to demonstrate very important results equivalent to foreshortening and viewpoint alterations. With this advisor, artists can in attaining longer drawing classes than they can whilst drawing from a version at once. whereas viewing from many angles and at their very own speed is usually very unlikely for artists in a studio consultation, it turns into as effortless as setting up the disc and establishing any photograph. A sensible quantity of photograph retouching is done—not to make the types extra glamorous or plastic yet to take away distractions that detract from the models’ essence.

Show description

Read Online or Download Art Models 6: The Female Figure in Shadow and Light PDF

Similar painting books

Watercolorist's Guide to Painting Buildings

Complete, functional and illustrated, this ebook goals to supply an entire consultant to portray constructions in watercolour.

Paint Along with Jerry Yarnell Volume Three - Painting Magic

Jerry Yarnell thrills starting and intermediate artists with the methods and methods they should practice "magic" at the canvas. He encourages readers to grasp the elemental technical facets of portray, resembling composition, layout, point of view, unfavorable area, colour blending, values and colour co-ordination.

A Corpus of Rembrandt Paintings: 1625–1631

Because the moment 1/2 the final century artwork historians, knowing that clone of Rembrandt’s paintings had develop into blurred with time, have tried to redefine the artist’s value either as a resource of proposal to different artists and as an exceptional artist in his personal correct. so as to stick with it the paintings began through past generations, a bunch of top Dutch paintings historians from the college and museum international joined forces within the overdue Nineteen Sixties for you to research afresh the work often ascribed to the artist.

Additional info for Art Models 6: The Female Figure in Shadow and Light

Example text

I tip over a damp sponge. For this my regular flat brush and crack it against my find that wrapping my hand with a terry towel softens technique I use the blow. Don't strike the brush against a hard object; damage it may the ferrule. For this painting I laid in a wash and spattered it with ink. I wanted the ink to explode and run in the pond yellow area, so I rewet it with plenty of water, then spattered with ink again. effects I The it spatter achieved elsewhere varied according to the amount pm of dampness on the board.

After the pigment had dried, same paper stencil to the I moved The pine Hooker's green, warm more down, and a touch of cadmium orange, done with a mutilated brush, a razor blade, and a wire brush at the edges to soften the pine needles. added the took fine warm As branches at the top with a sepia on a mutilated brush the painting dried, #5 round brush. and applied bottom of the trees to suggest the darkness it I at the a very wet surface. When my I put the first color brush loaded with Hooker's continued to put To bring out the used a razor blade, moving it back and On on the damp trees were painted with light values of cobalt blue and row surface.

Home How with creative intu- can it be applied to medium and its Ask yourself, "What if the watercolor to create tex- faces? " . integrate technique with overall content. Keep an eye out constantly for and forms that you may be able to achieve with the tools you now use or with new tools. In patterns hardware stores, junk shops, the kitchen, or in the field many tools itself, I find comparable to what can be purchased in art supply stores and am ucts on the market always seeking new prodto try.

Download PDF sample

Rated 4.44 of 5 – based on 47 votes