Arte Precolombiana (Art dossier Giunti) by Claudio Cavatrunci

By Claudio Cavatrunci

Pre-Columbian artwork is the visible arts of indigenous peoples of the Caribbean, North, important, and South Americas until eventually the past due fifteenth and early sixteenth centuries, and the period of time marked by means of Christopher Columbus' arrival within the Americas.
Pre-Columbian artwork thrived in the course of the Americas from at the least, 13,000 BCE to 1500 CE. Many Pre-Columbian cultures didn't have writing platforms, so visible artwork expressed cosmologies, international perspectives, faith, and philosophy of those cultures, in addition to serving as mnenomic devices.

Sommario:

Premessa
La Mesoamerica
L'America Centrale
LAmerica Andina
Bibliografia

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Sample text

The Incredulity of St. Thomas} (no. 18; figures 57-60) documented as early as 1606 in what must have been a copy (in Genoa, [no. 18x]) and mentioned not only by Baglione, Bellori, and Sandrart but also by Malvasia (and, surprisingly enough, as admired and copied in Bologna [nos.

5 X 68 em. (no. SOb) and of those of the Fainting Mary Magdalen (no. 5 X 92 em. (no. 69f) to 100 x 126 em. (no. 69b; figure 96); of these paintings, however, some standard dimension is hinted by a prevalence (not an average) among the copies. Thus, it seems likely that the original Boy Peeling Fruit (nos. 50a; SOc; SOd; 50i, figure 2) may have been about 52 X 65 em. , although one of Finson' s copies (no. 69b; figure 96) is slightly larger. Correspondingly, the largest number of Bari copies (nos.

Lucy (no. 43); in the Bramer drawing of the Entombment (no. 25o) and the notebook (in the Rijksmuseum, Amsterdam, print room) with which I associate it; in the Fragonard-Saint Non drawings and prints (nos. 8a, 8e, 17c,17e, 19b, 19c, 22a 25b, 25r; figures 65, 66, 67) and in David Allan's replicas of the Fortune-Teller and the Bari (nos. 4h, 52gg) during the eighteenth century, and during the nineteenth perhaps in such works as Gericault's Entombment 44 (no. 25z). Thus, the anonymous copyists can be divided into four classifications: students (either young or mature), provincials, professionals, and travelers; many of them are identifiable with two, or in some instances with three (and conceivably with all four), classifications, simultaneously or sequentially.

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